Powered by their flagship GT-series engine, BOSS's GT-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. A streamlined interface makes choosing and tweaking patches quick and easy. Keep an eye on your parameters with the easy-to-read backlit LCD. Take command of your performance with the GT-1's

Powered by their flagship GT-series engine, BOSS's GT-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. A streamlined interface makes choosing and tweaking patches quick and easy. Keep an eye on your parameters with the easy-to-read backlit LCD. Take command of your performance with the GT-1's assignable control switch and expression pedal. Enjoy a clean, noise-free signal, courtesy of 24-bit converters and BOSS's proprietary Adaptive Focus method. The BOSS GT-1 guitar multi-effects pedal fits easily in your gig bag, thanks to its smooth, modern design, and runs for up to seven hours on four AA batteries.

The NUX Cerberus is a multi-function effects pedal that can be used stand-alone or with the 4-cable method. It comes packed with extraordinary features including inside routing, IR loader, analog overdrive & distortion and digital effects. You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or

The NUX Cerberus is a multi-function effects pedal that can be used stand-alone or with the 4-cable method. It comes packed with extraordinary features including inside routing, IR loader, analog overdrive & distortion and digital effects. You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. You can add your essential gear into the chain with using the 4-cable method no matter which equipment you use. Cerberus also offers MIDI control to organize your own effect pedals and improve your effects control at the same time. NUX put together two selected analog Drive / Distortion pedals, modulation effects and delay & reverb effects. All these sounds and effects were improvised both from the all-time-classic and newly most-liked gear. Analog Overdrive and Distortion: Overdrive (Blues Breaker): Cerberus Overdrive sound is a tribute to the '70s Little Wing / Hendrix playing-style. The technology is only about 10 years ago, but it quickly became one of the most-preferred overdrive sounds on the market. The Overdrive Channel simply takes your guitar tone to the next level without adding mid-frequencies or any other unwanted characteristics inherent in “Tube Screamer Style” circuits and provides a transparent overdrive sound. Any pedal can sound amazing but when you create an effect chain, harmonizing the sound is critical for maximum efficiency. Distortion (Brown Anger): If you prefer high gain distortion with a Classic British flavor, rich bass responses, thick mid-frequencies and a balanced treble response, Cerberus Distortion will soon become one of your all-time-favorite sounds. NUX also considered compatibility in respect to the Overdrive and Distortion channels. Whether you use distortion standalone or combine with overdrive, when you hit your distortion switch, you’ll feel the classic JCM touch on your sound. Drive section has analog circuitry with digital control parameters and it remains analog (AD/DA converter starts from the MOD FX section).

The EHX Canyon Delay/Looper is much more than meets the eye. Onboard you'll find ten time-based effects, such as a Deluxe Memory Man-style analog delay, a reverb with plenty of control for matching your needs, a 62-second looper, and much more. And they can all be controlled with onboard tap tempo. The four control knobs are FX Level, Delay,

The EHX Canyon Delay/Looper is much more than meets the eye. Onboard you'll find ten time-based effects, such as a Deluxe Memory Man-style analog delay, a reverb with plenty of control for matching your needs, a 62-second looper, and much more. And they can all be controlled with onboard tap tempo. The four control knobs are FX Level, Delay, Feedback, and the effect selector, and like many other pedals from EHX, the Canyon packs a lot of extra tweakability and tones under the hood. If you need a ton of ambient power, but don't have much room left on the pedalboard, check out the EHX Canyon.

Synth-style filter modulation may not be for everybody, but if you enjoy funky filter sweeps or simply want to explore new avenues to enhance your guitar effects, then you're going to love the Electro-Harmonix Blurst modulated filter pedal. The Blurst follows the tried-and-true modulated filter formula used by countless synthesizers: you start with

Synth-style filter modulation may not be for everybody, but if you enjoy funky filter sweeps or simply want to explore new avenues to enhance your guitar effects, then you're going to love the Electro-Harmonix Blurst modulated filter pedal. The Blurst follows the tried-and-true modulated filter formula used by countless synthesizers: you start with a variable resonant filter — usually a lowpass filter like the one featured in this pedal — and then modulate the filter cutoff point with an LFO (low-frequency oscillator). The results can be exceptionally stunning, especially when you combine the Blurst with other effects.

With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich — you can even double-tap the footswitch to "crash" the

With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich — you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A Mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

From clean boosts to rich distortion, the electro-harmonix Soul Food overdrive pedal may be your amplifier's new best friend. You can easily push your favorite tube amplifier right to its breakup point, or use it for aggressive, distorted lead tones. One thing guitarists like is that higher drive settings boost your mids a bit too, helping your

From clean boosts to rich distortion, the electro-harmonix Soul Food overdrive pedal may be your amplifier's new best friend. You can easily push your favorite tube amplifier right to its breakup point, or use it for aggressive, distorted lead tones. One thing guitarists like is that higher drive settings boost your mids a bit too, helping your tone cut through the mix without becoming overbearing. And whether you're playing with humbuckers or single-coil pickups, the treble control lets you fine-tune just how much bite your tone has.

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity. Guitarists dig the global Bass and Tone

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity. Guitarists dig the global Bass and Tone controls, which help create some common ground between the two overdrives. And a Blend control allows you to fine-tune the balance of your dirt effects. Whether you're looking for subtle richness or stinging lead tones, you'll be able to cover a lot of sonic range with the Electro-Harmonix Hot Wax dual-overdrive pedal.

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous control of sweeps and multi-octave jumps. We love innovative products, and the electro-harmonix Pitch Fork pedal delivers a rock-solid pitch shifter in a small package. Get yours today!

Rarely have we seen such an instantly likable guitar effects pedal as the electro-harmonix B9 Organ Machine. Not only does this pedal transform your guitar tone into one of nine classic organ tones with jaw-dropping realism, it performs like a champ. We're talking about zero tracking problems, glitches, mistriggers, or false notes. What's more,

Rarely have we seen such an instantly likable guitar effects pedal as the electro-harmonix B9 Organ Machine. Not only does this pedal transform your guitar tone into one of nine classic organ tones with jaw-dropping realism, it performs like a champ. We're talking about zero tracking problems, glitches, mistriggers, or false notes. What's more, each setting has an appropriate modulation effect built in, such as rotary speaker, tremolo, or vibrato, and you can add in organ percussion or key click sounds with a dedicated control. Top it off with two great ways you can blend in your dry guitar signal, and it's no wonder the ehx B9 Organ Machine has become an instant classic.

The Electro-Harmonix (EHX) Switchblade Pro is a powerful pedalboard-sized signal routing tool. This A/B/Y box is perfect for switching amps in a multi-amp rig, toggling or combining two discrete pedal chains, being used as a dedicated signal mute, and much more. A/B/Y pedals such as the Switchblade Pro can be utilized in myriad ways in both live

The Electro-Harmonix (EHX) Switchblade Pro is a powerful pedalboard-sized signal routing tool. This A/B/Y box is perfect for switching amps in a multi-amp rig, toggling or combining two discrete pedal chains, being used as a dedicated signal mute, and much more. A/B/Y pedals such as the Switchblade Pro can be utilized in myriad ways in both live and studio environments. Once you grab this EHX pedal, you'll wonder how you ever lived without it.

The Electro-Harmonix Q-Tron+ envelope follower pedal takes a great design even further! In addition to the original Q-Tron's great features and sound, the Q-Tron+ gives you an effects loop that lets you put an additional effect between the Q-Tron+'s preamp and filter section without changing the envelope drive. An Attack Response switch has also

The Electro-Harmonix Q-Tron+ envelope follower pedal takes a great design even further! In addition to the original Q-Tron's great features and sound, the Q-Tron+ gives you an effects loop that lets you put an additional effect between the Q-Tron+'s preamp and filter section without changing the envelope drive. An Attack Response switch has also been added, allowing you to choose between the classic fast response of the original Q-Tron and a slower, smoother attack. If you're looking for some ultra-cool, funky and active filtered tones, check out the Q-Tron+!

If you're a player with an affinity for classic auto-wah sounds, but you prefer streamlined controls, you'll dig the Electro-Harmonix Micro Q-Tron. This stompbox is powered by an internal envelope follower, which analyzes the dynamics of your playing to determine the intensity of the wah effect. When you pick harder, you'll get a wider frequency

If you're a player with an affinity for classic auto-wah sounds, but you prefer streamlined controls, you'll dig the Electro-Harmonix Micro Q-Tron. This stompbox is powered by an internal envelope follower, which analyzes the dynamics of your playing to determine the intensity of the wah effect. When you pick harder, you'll get a wider frequency sweep; when you pick more softly, you'll produce a subtler sound. And It's a breeze to dial in — a few twists of the Micro Q-Tron's three knobs is all that stands between you and all the funky, Garcia-style quack you can handle. The Micro Q-Tron features true-bypass switching, and it's housed in a rugged, road-ready die-cast chassis that's compact enough for even the most crowded of pedalboards. Players searching for an easy-to-use envelope filter pedal owe it to themselves to plug into the EHX Micro Q-Tron.

The Electro-Harmonix Mod11 Modulator Machine is a mash-up of 11 modulation effects crammed into one stompbox. With a range of classic and exotic effects to choose from, you can take total control over your guitar's sound and create truly one-of-a-kind tones. You can use the depth, rate, and color knobs to dial in your tone easily. Guitarists

The Electro-Harmonix Mod11 Modulator Machine is a mash-up of 11 modulation effects crammed into one stompbox. With a range of classic and exotic effects to choose from, you can take total control over your guitar's sound and create truly one-of-a-kind tones. You can use the depth, rate, and color knobs to dial in your tone easily. Guitarists especially liked the "hidden" parameters that you can access with the mode control. The Mod 11 comes equipped with momentary mode to add quick flashes of modulation and tap tempo. The tap tempo feature can be used with the onboard footswitch or an external switch. The Electro-Harmonix Mod11 will be the Swiss army knife of modulation for your pedalboard.

If you’ve performed as a solo act, you know the pain of having to switch instruments to lay down a bass line. The Bass9 Bass Machine pedal from Electro-Harmonix has solved that issue. This guitar effects pedal allows you to turn your guitar into a bass to record a quick bass loop before jumping back into the lead line. You can choose between 9

If you’ve performed as a solo act, you know the pain of having to switch instruments to lay down a bass line. The Bass9 Bass Machine pedal from Electro-Harmonix has solved that issue. This guitar effects pedal allows you to turn your guitar into a bass to record a quick bass loop before jumping back into the lead line. You can choose between 9 awesome presets that cover the legendary bass sounds from Precision to Longhorn, or Bowed to Synth. If you’re using a looper, this pedal will be perfect for you. Kiss your unwanted instrument changes goodbye and say hello to the Bass9.

What's smaller than Micro? Nano! Electro-Harmonix now offers the Nano POG polyphonic octave generator pedal, giving you the same 12-string, organ, and brand-new sounds as the other POG pedals in the line. But now you can save even more pedalboard real-estate with the smallest version of this classic design yet. It works great with bass too, giving

What's smaller than Micro? Nano! Electro-Harmonix now offers the Nano POG polyphonic octave generator pedal, giving you the same 12-string, organ, and brand-new sounds as the other POG pedals in the line. But now you can save even more pedalboard real-estate with the smallest version of this classic design yet. It works great with bass too, giving you some truly funky options to tweak your tone. Get all the octave control and glitchless operation you love without having to pull another pedal from your board, with the Electro-Harmonix Nano POG.

Add a lush reverb to your pedalboard with the Electro-Harmonix Holy Grail Neo guitar pedal. This ruggedly built and compact stompbox contains three different reverb algorithms: Spring, Hall and Plate. All three reverbs were tailored for the electric guitar but they work equally as well on any instrument or voice. The Spring algorithm is a

Add a lush reverb to your pedalboard with the Electro-Harmonix Holy Grail Neo guitar pedal. This ruggedly built and compact stompbox contains three different reverb algorithms: Spring, Hall and Plate. All three reverbs were tailored for the electric guitar but they work equally as well on any instrument or voice. The Spring algorithm is a re-creation of the classic spring reverbs found in classic guitar amps. The Hall algorithm lush, deep reverb. And Plate is a beautiful, studio-style reverb that is perfect for any instrument. The Electro-Harmonix Holy Grail Neo will change the way you look at reverb!

Take your tone over the edge with the Wampler Pedals Velvet Fuzz pedal. Not just another fuzz, the Velvet Fuzz combines classic fuzz with the sound of an EL34-powered stack to give you a massive tone. The "tight" setting gives you big fuzz-like distortion. When flipped to the "big" setting, the Velvet Fuzz delivers classic fuzz tone with loads of

Take your tone over the edge with the Wampler Pedals Velvet Fuzz pedal. Not just another fuzz, the Velvet Fuzz combines classic fuzz with the sound of an EL34-powered stack to give you a massive tone. The "tight" setting gives you big fuzz-like distortion. When flipped to the "big" setting, the Velvet Fuzz delivers classic fuzz tone with loads of compression. Rolling back your guitar's volume cleans up the sound for a fat rhythm tone. If you're looking for that fuzz-into-a-screaming-stack sound, then grab the Wampler Pedals Velvet Fuzz and start rocking!

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

The one and only Dimensional Chorus effect is back, in the BOSS DC-2W Dimension C Waza Pedal. Loaded with premium analog circuitry, the DC-2W not only nails the sound of the original DC-2 Dimension C pedal — it also offers a spot-on re-creation of the original SDD-320 Dimension D rack effects processor that started it all. The retro-style preset

The one and only Dimensional Chorus effect is back, in the BOSS DC-2W Dimension C Waza Pedal. Loaded with premium analog circuitry, the DC-2W not only nails the sound of the original DC-2 Dimension C pedal — it also offers a spot-on re-creation of the original SDD-320 Dimension D rack effects processor that started it all. The retro-style preset buttons also offer access to different variations on the effect, for a total of 20 different sounds. Complete with stereo I/O, the BOSS DC-2W Dimension C Waza Pedal is a great choice for guitar and bass, keyboards, and even studio mixing sessions.